Hassan Mohamed (Binge) contributed to this editorial

Somalia today is not short of “forums,” “councils,” or “initiatives.” It is short of honesty.
The uneasy tango between President Hassan Sheikh Mohamud and the so-called Golaha Mustaqbalka Soomaalia exposes, once again, a political culture built on deception, clannish calculations, and naked personal ambition—thinly disguised as national salvation.
Let us strip away the theatrics.
Hassan Sheikh’s Reluctant Engagement: A PR Exercise, Not a Peace Offering
President Hassan Sheikh Mohamud did not engage Golaha Mustaqbalka Soomaalia out of conviction or national urgency. He did so reluctantly, under pressure, and with one eye firmly fixed on donors and international partners.
This was not statesmanship; it was damage control.
The meeting—forced by ultimatum rather than goodwill—reeks of bad faith. It fits a familiar pattern: engage opponents just enough to neutralize pressure, then return to unilateralism once the cameras are gone. Hassan Sheikh’s Somalia is one where dialogue is weaponized, not respected; where consultation is cosmetic, not consequential.
For Villa Somalia, Golaha Mustaqbalka is not a partner—it is a nuisance to be managed, diluted, and eventually discarded.
Golaha Samatabixiinta: Soft Gloves for a Familiar Regime
If Hassan Sheikh is acting in bad faith, Golaha Samatabixiinta Soomaaliya is acting in a bad conscience.
Their approach to the president has been timid, evasive, and disturbingly indulgent. Despite presiding over constitutional violations, mandate overreach, and the erosion of federal consensus, Hassan Sheikh is treated with kid gloves.
Why?
Because this is not merely a political grouping—it is also a Hawiye comfort zone. Hard questions are avoided. Red lines are blurred. Accountability is postponed indefinitely. The language is conciliatory where it should be confrontational; diplomatic where it should be surgical.
A “salvation council” that cannot confront power—especially power from its own social base—is not a salvation council at all. It is an echo chamber.
Ahmed Mohamed Islam: Recognition Politics Disguised as National Struggle
Ahmed Mohamed Islam’s role inside Golaha Mustaqbalka Soomaalia is neither ideological nor principled. It is transactional.
His objective is clear: personal recognition from Hassan Sheikh Mohamud. The council is merely a bargaining chip—a ladder, not a platform. National rhetoric is deployed selectively, not to reform Somalia, but to secure political validation from Villa Somalia.
This is politics reduced to personal advancement: collective struggle hijacked for individual legitimacy.
Said Abdullahi Deni: The Wild Card with a Presidential Eye
Then there is Said Abdullahi Deni—the only actor in this drama who is not pretending.
Deni is not negotiating for relevance. He is positioning for power.
He sees Villa Somalia not as a partner to be persuaded, but as a fortress to be taken. His ambition is clear, his objective unmistakable: unseat Hassan Sheikh Mohamud. And unlike others in the council, Deni understands that Somali politics is not won by communiqués, but by alliances, endurance, and—critically—resources.
If Deni secures substantial external financial backing, this contest will not end in compromise. It will end in confrontation. Bitter. Prolonged. Unforgiving.
In this sense, Deni is the only honest variable in an otherwise dishonest equation.
The Tragic Bottom Line
What we are witnessing is not a national rescue mission—it is a collision of different agendas, conflicting intentions, and opposing endgames, all wrapped in the language of patriotism.
Hassan Sheikh seeks survival and donor appeasement.
Golaha Samatabixiinta seeks comfort without confrontation.
Ahmed Mohamed Islam seeks recognition, not reform.
Said Abdullahi Deni seeks Villa Somalia itself.
And Somalia? Somalia is once again reduced to a stage where elites rehearse their ambitions while the state continues to fracture.
Until Somali political actors stop mistaking personal projects for national causes, every “Golaha,” every “initiative,” and every “dialogue” will remain exactly what this one is: a performance without salvation.
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